hammer horror films actors

In September 2019, Hammer signed a worldwide distribution deal with StudioCanal for its catalogue. Jul 23, 2017 - A photo tribute to actors and actresses that made films for Hammer Pictures--the "House of Horror". and head, Eliot Hyman. [17] It was Lippert's insistence on an American star in the Hammer films he was to distribute that led to the prevalence of American leads in many of the company's productions during the 1950s. Work continued on the script for Dracula, and the second draft was submitted to the BBFC. Peter Cushing (1913 - 1994) Hammer Credits: The Curse Of Frankenstein, The Abominable Snowman Of The Himalayas, Horror Of Dracula, The Revenge Of frankenstein, The Hound Of The Baskervilles, The Mummy, The Brides Of Dracula, Cash On Demand, The Evil Of Frankenstein, The Gorgon, She, Dracula-Prince Of Darkness (in flashback sequence from Horror … https://www.denofgeek.com/movies/13-greatest-hammer-horror-monsters In 1972, while working in the Hammer horror film, Dracula A.D. 1972, she However, only 1/3rd of Hammer films were horror! Also in 1951, Hammer and Exclusive signed a four-year production and distribution contract with Robert Lippert, an American film producer. Hammer House of Horror, contained tales of genuine horror laced with a twinkle of dark humour. Jane Goldman wrote the film's screenplay, with James Watkins in the director's chair. Its follow up Hammer House of Mystery and Suspensecontained thirteen mini-thrillers. Until The Curse of Frankenstein, horror films had not shown blood in a graphic way, or when they did, it was concealed by monochrome photography. The number of set-ups scripted is quite out of proportion to the length of the screenplay, and we suggest that your rewrites are done in master scene form. 2. The success of The Quatermass Xperiment (1955; The Creeping Unknown in the U.S.) led to two sequels: There were also two Quatermass-style films: Six sequels to The Curse of Frankenstein were released between 1958 and 1974: All starred Peter Cushing as Baron Frankenstein, except The Horror of Frankenstein (which was not a sequel, but a tongue-in-cheek remake of The Curse of Frankenstein), in which Ralph Bates took the title role. All were to be filmed in colour at Bray Studios, by the same team responsible for The Curse of Frankenstein and Dracula. In my early teens I went with groups of friends to see certain films. Peter Cushing. I have a stronger stomach than the average (for viewing purposes) and perhaps I ought to be reacting more strongly."[20]. The first output under the new owners is Beyond the Rave, a contemporary vampire story which premièred free online, exclusively, on Myspace in April 2008 as a 20 x 4 min. And of course, some of the stake-work is prohibitive."[27]. The Curse of the Mummy's Tomb supported the slightly more prestigious The Gorgon, whilst The Mummy's Shroud was a second feature for Frankenstein Created Woman. [3] The company announced plans to begin making films again after this, but none were produced. British TV star Peter Cushing portrayed Baron Victor Frankenstein, and supporting actor Christopher Lee was cast as the imposingly tall, brutish Creature. British horror actress Barbara Shelley has died after being diagnosed with COVID-19. Shelley as she appeared in 1964 TV series Rupert of Hentzau. Now set in a new Dracula timeline, Peter Cushing appeared in both films, playing Professor Lorrimer Van Helsing, as well as his own grandfather (Lawrence Van Helsing) in the prologue of the first of the two films. Hammer moved into the Exclusive offices in 113-117 Wardour Street, and the building was rechristened "Hammer House".[14]. Meanwhile, George A. Romero's Night of the Living Dead (1968) had set a new standard for graphic violence in horror films. This series was Hammer's final production of the 20th century, and the studio went into semi-permanent hiatus. These low-budget suspense thrillers, often in black-and-white, were made in the mould of Les Diaboliques (1955), although more often compared to the later Psycho. I don't see the point."[41]. Fortunately, Hammer Films frequently featured Peter Cushing, a powerhouse actor known for Star Wars. serial. Lee speaks at least one line taken from Bram Stoker in every Dracula film he appeared in, except for Dracula: Prince of Darkness in which the Count does not talk at all (Lee claimed repeatedly he was appalled by his dialogue in that film and refused to speak it, but Jimmy Sangster rebutted that no dialogue was written for the character). In addition a great deal of polishing and additional material was needed, as the short script had an estimated running time of just 55 minutes, far less than the minimum of 90 minutes needed for distribution in the U.K. In the late 1960s, with the release of Hollywood films like Bonnie and Clyde, Rosemary's Baby, and The Wild Bunch, the studio struggled to maintain its place in the market. In a break from their cinema format, these self-contained episodes featured plot twists which usually saw the protagonists fall into the hands of that episode's horror at the end. Other Hammer musical personnel included Malcolm Williamson, John Hollingsworth, and Harry Robertson. The agreement was between Cadogan, a Hammer subsidiary, and Universal. Hammer horror actors & actresses. The film was unexpectedly popular, and led to the popular 1957 sequel Quatermass 2 – again adapted from one of Kneale's television scripts, this time by Kneale and with a budget double that of the original: £92,000. The talent agency, Dr Morelle - The Case of the Missing Heiress, Learn how and when to remove this template message, The Phantom Raspberry Blower of Old London Town, Wallace & Gromit: The Curse of the Were-Rabbit, BFI Most Wanted: The Public Life of Henry the Ninth, "Why Christopher Lee's Dracula didn't suck", "We Chat with Hammer Chief Simon Oakes about Christopher Lee's Return to Horror and the 'Let the Right One In' Remake! On 20 August 1958, the Daily Cinema reported: "Because of the fantastic business done world-wide by Hammer's Technicolor version of Dracula, Universal-International, its distributors, have made over to Jimmy Carreras' organisation, the remake rights to their entire library of classic films.". Hammer House of Horror Edit. Peter Sasdy. were not prepared to back a film made by Rosenberg and Subotsky, who had just one film to their credit. Questions of guilt circulate in these films, where the virtuous can be transformed into vampires through one moment of sexual weakness...[52], This was a fantasy, science fiction and supernatural anthology series which dealt with normal people in everyday situations that found themselves having to experience something out of the ordinary. ... (2 episodes, 1980) Alan Gibson. At a time when "classic actors" looked down on the horror genre, Shelley was thrilled to have the chance to star in Hammer horror films because they brought her recognition. Prison Story). Plans were made to shoot the film in Eastmancolor – a decision which caused worry at the BBFC. length as their previous series, but it was decided to expand them to feature-length to market them as 'movies of the week' in the US. "[23], Regardless of the BBFC's stern warnings, Hinds supervised the shooting of an unchanged script.[24]. deal, The Camp on Blood Island and The Snorkel. [12] All were filmed at Marylebone Studios during 1947. The Horror of Hammer cast list. [44][45] It was released in the US and UK in March 2011. The actress was best-known for the Hammer Horror films as well as Doctor Who. Although the novel by Mary Shelley was long since in the public domain, Anthony Hinds was unsure about the story, as Subotsky's script adhered closely to the plot of the 1939 Universal film Son of Frankenstein, featuring a second-generation Baron Frankenstein emulating his father, the original monster-maker. [17] In 1953 the first of Hammer's science fiction films, Four Sided Triangle and Spaceways, were released. • Michael Carreras, a.k.a. a script for an adaptation of the novel Frankenstein. The house was renamed Bray Studios after the nearby village of Bray and it remained as Hammer's principal base until 1966. Towards the end of 1951, the one-year lease on Down Place expired and with its growing success Hammer looked towards more conventional studio-based productions. Blood from the Mummy's Tomb was a modern-day take on Bram Stoker's The Jewel of Seven Stars and featured Valerie Leon as a reincarnated Egyptian princess, rather than a mummy. The scores for many Hammer horror films, including The Curse of Frankenstein and Dracula, were composed by James Bernard. In May 2007, the company name was sold to a consortium headed by Dutch media tycoon John de Mol, who announced plans to spend some $50 million (£25m) on new horror films. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, who has died aged 88 after contracting Covid-19. In 1980, Hammer Films created an anthology series for British television, Hammer House of Horror. The company began shooting a new horror/thriller film in Donegal in 2008, backed by the Irish Film Board. had not arrived. A decision was made to remodel Down Place into a substantial, custom-fitted studio complex[16] that became known as Bray Studios. Each episode featured a star, often American, known to US viewers. Despite the success of The Curse of Frankenstein, the financing of Dracula proved awkward. Shelley was best known for appearing in Hammer horror movies. In the 2000s, although the company seemed to be in hibernation, frequent announcements had been made of new projects. It was for The Last Page that Hammer made a significant appointment when they hired film director Terence Fisher, who played a critical role in the forthcoming horror cycle. [43] She was uncredited in the film and did return for the 1972 sequel Dr. Phibes Rises Again. THE ACTORS OF HAMMER FILMS. The running time varied from 69 to 73 minutes. The Mummy (the title used for the remake of The Mummy's Hand, which also incorporated significant story elements from that film's first two sequels, The Mummy's Tomb and The Mummy's Ghost) was made in 1959, The Phantom of the Opera followed in 1962, and Hammer collaborated with William Castle on a remake of The Old Dark House in 1963. Regarding the script of X the Unknown, one reader/examiner (Audrey Field) commented on 24 November: "Well, no one can say the customers won't have had their money's worth by now. Having escaped execution and assumed an alias, Baron Frankenstein transplants his deformed underling's brain into a perfect body, but the effectiveness of the process and the secret of his identity soon begin to unravel. The actress was the star of 1950s and 1960s Hammer Horror films … The new organization acquired the Hammer group's film library, consisting of 295 pictures. She was 88. The Mummy went into general release on 23 October 1959 and broke the box-office records set by Dracula the previous year, both in Great Britain and the U.S. when it was released there in December.[35]. Hammer horror films are legendary for doing a lot with a little, while almost magically repurposing constraint to fuel creativity. Neither did I. Lee has been in 266 films since 1948: that’s impressive. 1. ", "Reborn Hammer Films to Remake Let the Right One In", "Hammer Films Acquires Black List Writer's 'Wake, "Woman in Black film sequel announced by Hammer", https://deadline.com/2019/09/studiocanal-inks-library-deal-with-classic-horror-brand-hammer-films-1202747967, "The devil's work: gothic films at the BFI", "A History of Horror with Mark Gatiss - Q&A with Mark Gatiss", https://en.wikipedia.org/w/index.php?title=Hammer_Film_Productions&oldid=997126276, Film production companies of the United Kingdom, Articles needing additional references from November 2019, All articles needing additional references, Articles with unsourced statements from May 2019, Articles with French-language sources (fr), Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Seasons of the BBC science fiction series, Much of the dark humour of the BBC comedy series, In 2010, Mark Gatiss devoted a large part of the second episode of his, The British radio dramatist Marty Ross acknowledged a debt to Hammer with regard to his two serials for, In an interview for the new Blu-ray release of, This page was last edited on 30 December 2020, at 03:19. In 1951, Hammer began shooting at their most fondly-remembered base, Down Place, on the banks of the Thames. The actress died from underlying conditions on … The series was made in association with 20th Century Fox (who broadcast films as Fox Mystery Theater) and as such, the sex and violence seen in the earlier series was toned down considerably for US television. The film was directed by Terence Fisher, with a look that belied its modest budget. His most recognizable role for the studio was as Count Dracula, but he also portrayed Frankenstein’s monster and the Mummy. In America, eight episodes from the series were broadcast as four made-for-television films consisting of twinned episodes along with new segment introduction footage provided by actors Patrick McGoohan, Sebastian Cabot and Joan Crawford serving as hosts. Did you know Christopher Lee was knighted? The contract meant that Lippert Pictures and Exclusive effectively exchanged products for distribution on their respective sides of the Atlantic – beginning in 1951 with The Last Page and ending with 1955's Women Without Men (a.k.a. Shown on ITV, it ran for 13 episodes with a running length of approximately 51 minutes each. The Evil of Frankenstein stars Cushing but due to an agreement made with Universal to more closely pastiche their version of the Frankenstein story, it re-tells the Baron's history in flashbacks that bear no resemblance to the two earlier Hammer Frankenstein films, and portrays the Baron with a very different personality, resulting in a film which permanently breaks the chronological continuation of the series. Hammer's horror films were often praised by critics for their visual style, although rarely taken seriously. This was a practice they had making Dick Barton movies which they continued to their horror movies and other genres. Audrey Field reported on 10 October 1956: "We are concerned about the flavour of this script, which, in its preoccupation with horror and gruesome detail, goes far beyond what we are accustomed to allow even for the 'X' category. Van Helsing to battle vampire Baron Meinster (David Peel) and the film makes several direct references to the 1958 original. The initial success of the Hammer Horror series led to tributes and parodies: "Hammer Horror" redirects here. The expansive grounds were used for much of the later location shooting in Hammer's films, and are a key to the 'Hammer look'. In 1971, she would star alongside horror master Vincent Price in the film The Abominable Dr. Phibes as Victoria Regina Phibes. This wiki is about Hammer horror films. They play out a 1950s reverie of contagion, lust and post-Suez anxiety. The actress - who starred in 1950s and 1960s Hammer Horror films - acted with other icons including Peter Cushing and Christopher Lee. [9] Hammer produced four films distributed by Exclusive: A slump in the British film industry forced Hammer into bankruptcy and the company went into liquidation in 1937. He resurrected Hammer as the film production arm of Exclusive with a view to supplying 'quota-quickies', cheaply made domestic films designed to fill gaps in cinema schedules and support more expensive features. A second television anthology series, Hammer House of Mystery and Suspense, was produced in 1984 and ran for 13 episodes. Hammer Horror Christopher Lee's career is synonymous with the horror genre. — Hammer Horror Films (@HorrorHammer1) January 4, 2021. Christopher Lee returned as Dracula for the following six films, which employed ingenuity in finding new ways to resurrect the Count. Sangster's treatment impressed Hammer enough to rescue the film from the 'quickie' treadmill and to produce it as a colour film. [30] Peter Cushing again had top-billing, this time as Doctor Van Helsing, whilst Christopher Lee starred as Count Dracula, with direction by Terence Fisher and a set design by Bernard Robinson that was radically different from the Universal adaptation; it was so radical, in fact, that Hammer executives considered paying him off and finding another designer.[31]. 1. Dracula was an enormous success, breaking box-office records in the U.K., the U.S. (where it was released as Horror of Dracula), Canada, and across the world. This fact-based cast roster includes any The Horror of Hammer actresses and all other actors from the film. Often two films would be shot back-to-back with the same sets and costumes to save money, and then each film would be shown on a separate double feature to prevent audiences noticing any recycling, as for example in The Plague of the Zombies and The Reptile (both 1966). The presentation ceremony took place on the steps of the Castle Dracula set at Pinewood Studios, during the filming of Dracula Has Risen from the Grave.[39]. The company soon realised, however, that if they could not be as gory as the new American productions, they could follow a trend in European films of the time and instead play up the sexual content of their films. During the late 1960s and 1970s, the saturation of the horror film market by competitors and the loss of American funding forced changes to the previously lucrative Hammer formula, with varying degrees of success. Hammer Film Productions is celebrated for a series of Gothic horror films made in the 1950s, '60s, and '70s. While the studio remained true to previous period settings in their 1971 release Vampire Circus, Dracula AD 1972 and The Satanic Rites of Dracula (1973), for example, abandoned period settings in pursuit of a modern-day setting and a "swinging London" feel. In 1969 Tony Hinds resigned from the Hammer board and retired from the industry. For the song by Kate Bush, see, For a complete list of films by Hammer Film Productions, see. I think it is fatuous. Although interested in the script, a.a.p. During the production of Dick Barton Strikes Back (1948), it became apparent that the company could save a considerable amount of money by shooting in country houses instead of studios. She has been featured in more than 100 films and TV series. Hammer Horror Edit. “When I first started doing Hammer, all the so-called classic actors looked down on the horror film. They must take it away and prune. Series Directed by. Barbara was popular for her roles in classic horror films which were produced by London-based Hammer Film Productions, including The Gorgon, The Pit and Quatermass. This list of the The Horror of Hammer actors’ names (actors in the movie The Horror of Hammer) contains photos of the cast members when available. [40] Hammer was not the same without him; it responded to the new reality by bringing in new writers and directors, testing new characters, and attempting to rejuvenate their vampire and Frankenstein films with new approaches to familiar material. Sangster submitted his script to the BBFC for examination. [15] Five films were produced there: Man in Black (1949), Room to Let (1949), Someone at the Door (1949), What the Butler Saw (1950), The Lady Craved Excitement (1950). The actress, born Barbara Kowin, was 88 years old. Concerned that Subotsky and Rosenberg's script had too many similarities to the Universal films, Hinds commissioned Jimmy Sangster to rewrite it as The Curse of Frankenstein. I can think of twenty adjectives — fatuous, pointless, absurd. In 2003, for example, the studio announced plans to work with Australian company Pictures in Paradise to develop new horror films for the DVD and cinema market. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, … BARBARA Shelley, the actress hailed as the "Queen of Hammer," has died at the age of 88. [40] Hammer's last production, in 1979, was a remake of Alfred Hitchcock's 1938 thriller The Lady Vanishes, starring Elliott Gould and Cybill Shepherd. ... (3 episodes, 1980) Tom Clegg. Rosenberg would often claim he 'produced' The Curse of Frankenstein, an exaggeration repeated in his obituary. Barbara Shelley — the Hammer icon known as "the first leading lady of British horror" — has died. The series was first aired on ABC from September 26, 1968 to January 30, 1969, prior to broadcast in the UK on ITV during 1969. Although no longer a force in horror cinema, Hammer discovered another outlet for horror product – television. The Horror of Hammer cast members have done many other films so be sure to check out the filmographies and individual pages of the stars of The Horror of Hammer. Eliot Hyman however, sent the script to his contact at Hammer. In June 2010, it was announced that Hammer acquired Wake, a script by Chris Borrelli for an action feature to be directed by Danish filmmaker Kasper Barfoed. The film was an enormous success, not only in Great Britain, but also in the U.S., where it inspired numerous imitations from, amongst others, Roger Corman and American International Pictures (with their series largely based on Edgar Allan Poe – the so-called "Poe Cycle"). Barbara Shelley, best known for her roles in Hammer horror films and Doctor Who, passed away at the age of 88 after contracting coronavirus (COVID-19). The Legend of the 7 Golden Vampires (1974), a co-production with Hong Kong's Shaw Brothers which attempted to combine Hammer's brand of horror with the martial arts film, and To the Devil a Daughter (1976), their third adaptation of a Dennis Wheatley novel, were both quite successful at the U.K. box office, but Hammer were unable to capitalise on them as most of the profits went to other financial backers. It found success on the European continent also, where Italian directors and audiences were particularly receptive. As production began on Quatermass 2, Hammer started to look for another U.S. partner willing to invest in and handle the American promotion of new product. [36], Hammer also produced a half-hour pilot titled Tales of Frankenstein (1958) that was intended to premiere on American television; it was never picked up, but is now available on DVD. The same novel served as the basis for the 1980 Charlton Heston film The Awakening and a later direct-to-video feature, Bram Stoker's Legend of the Mummy, starring Lou Gossett Jr. Other horror films produced by Hammer included: In addition to their Dracula series, Hammer produced a number of other horror movies on the vampire theme, including: Hammer also made a loose trilogy of films based on Sheridan Le Fanu's early vampire novella Carmilla, written by newcomer Tudor Gates. The company signed a one-year lease and began its 1951 production schedule with Cloudburst. and Hammer had broken down when money promised by a.a.p. With a budget of £65,000 and a cast and crew that would become the backbone of later films, Hammer's first Gothic horror went into production. They included some of the most explicit scenes of lesbianism yet seen in mainstream English-language films, along with a corresponding increase in sequences involving nudity, despite otherwise traditional Hammer design and direction. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, who has died aged 88 after contracting Covid-19. Principal photography for The Mummy began on 23 February 1959 and lasted until 16 April 1959. Before they take it away, however, I think the President [of the BBFC] should read it. The company name came from Hinds' stage name, Will Hammer, which he had taken from the area of London in which he lived, Hammersmith.[7]. Christopher Lee grew increasingly disillusioned with the direction the character was being taken and with the poor quality of later scripts, although he did improve these slightly himself by adding lines of dialogue from the original novel. It is scheduled to be released on 15 November 2019, by NEON. 17 episodes of approximately 50 minutes each were produced by Hammer Film Productions and 20th Century Fox Television. On 10 May 2007, it was announced that Dutch producer John De Mol had purchased the Hammer Films rights via his private equity firm Cyrte Investments. These three films are: Running alongside production of their 1960s gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. [49], — Martin Scorsese on the heyday of the horror movie.[50]. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. The first spin-off made was Hammer's biggest domestic earner of the 1970s and was popular enough to produce two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973), seeing Hammer return to their pre-horror practice of adapting television properties for the cinema as they had once done with PC 49 and Dick Barton. Hammer Film: Taste The Blood Of Dracula (1970) The following year, Linda bared all in the non-Hammer horror flick Blood on Satan’s Claw (1971), then continued the trend of disrobing in a series of raunchy British comedies: Confessions of a Window Cleaner (1974) and the subtly titled Let’s Get Laid (1978).. 4. Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. Christopher Lee. Hammer Film: Blood of the Mummy’s Tomb (1971) [10], James Carreras joined Exclusive in 1938, closely followed by William Hinds' son, Anthony. The brand is still alive but no one has invested in it for a long time. [11] He convinced Anthony Hinds to rejoin the company, and a revived Hammer Film Productions set to work on Death in High Heels, The Dark Road, and Crime Reporter. Hammer horror and television actor best known for films such as Dracula: Prince of Darkness Barbara Shelley and Christopher Lee in Dracula: … Director:Terence Fisher|Stars:Peter Cushing, … Hammer Films had commercial success with some atypical output during this period, with film versions of several British TV situation comedies, most notably the ITV series On the Buses (1971). In 1950, Hammer moved again to Gilston Park, a country club in Harlow Essex, which hosted The Black Widow, The Rossiter Case, To Have and to Hold and The Dark Light (all 1950). Not only did the script contain horror and graphic violence, but it would be portrayed in vivid colour.[22]. Work began almost immediately on the first film, The Public Life of Henry the Ninth at the MGM/ATP studios, with filming concluding on 2 January 1935. The sets are not marked clearly on the shot headings, neither is DAY or NIGHT specified in a number of cases. Top 10 Hammer Horror FilmsSubscribe: http://bit.ly/2tVCcUHThey really don’t make them like this anymore. It was released on 10 April 2014 in the UK and 25 April in the US. The Invisible Man was never produced. [18] In the meantime, Hammer produced another Quatermass -style horror film, X the Unknown, originally intended as part of the series until Kneale denied them permission to use his characters (the writer is known to have disliked Donlevy's performance as Quatermass). And ran for 13 episodes hammer horror films actors eventually entered talks with Associated Artists Productions ( a.a.p. contagion... Not period pieces like their predecessors, but none were produced by Hammer film Productions 20th! 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